The Arabian Nights (more accurately known as The Thousand and One Nights) is a collection of stories that circulated in the medieval Islamic world and would later become a canonical classic of world literature thanks to various stages of addition, translation, and creative retelling. It is a heady agglomeration of tales written with a distinctive frame story and form about characters and deeds that have been considered in turn memorable, hilarious, disgusting, arousing, thrilling, repugnant, and inspirational by various audiences since its beginning—and possibly even before it ever existed.
In this course, we will read almost the entirety of the 14th century collection of tales that constitute the earliest existing version of The Thousand and One Nights and analyze it both in relation to the medieval genres and historical contexts that shaped it and through contemporary theoretical frameworks. The Thousand and One Nights is a fluid and changing collection, so it is not our goal to focus on some clearly-defined “original”. We will instead discuss this collections’ origins, famous later additions such as the stories of Aladdin and Sindbad, and the role that its reception and translation in Europe played in making it a key text of world literature. We will also study some of its many later adaptations in film, poetry, and narrative. By analyzing key components of the text such as the frame story, fantasy, romance, and representations of race and gender, and by considering the aesthetics and politics of literary engagement with The Thousand and One Nights in modern contexts, we will come to appreciate the stories’ many travels across time and genres and develop our own ideas on what The Thousand and One Nights can teach us about the enduring power of storytelling. This course is taught in English, including all readings.

A survey of the modern Middle East with special emphasis on the experiences of ordinary men and women as articulated in biographies, novels, and regional case studies. Issues covered include the collapse of empires and the rise of a new state system following WWI, and the roots and consequences of the Palestinian-Israeli conflict, the Iranian revolution and the U.S.-Iraq War. Themes include: the colonial encounter with Europe and the emergence of nationalist movements, the relationship between state and society, economic development and international relations, and religion and cultural identity.

This seminar considers what happens when states and businesses converge to exert cultural influence that translates into political and economic leverage for host countries. Taking a historical perspective, we will focus on the past seventy-five years (circa 1950 to the present). Our point of departure is political scientist Joseph Nye’s concept of “soft power,” which refers to the ability of states to secure interests on the world stage by deploying cultural appeal rather than military force – inducement instead of coercion.
We will begin by examining theories of imperialism, nationalism, and branding in a comparative international context. We will then ask questions such as: When do national and corporate policies align and reinforce each other to produce “nation branding”? How consciously or assiduously do companies act in the interests of home countries and governments? What happens when companies are “multinational” or when national and corporate interests diverge? What about other, more local forms of place branding, such as in cities?
We will then turn to case studies. These consider Middle Eastern business ventures that involve consumer products, museums, private educational institutions, airlines, shopping malls, and sports franchises, and that connect many countries, including the United States, United Arab Emirates, Saudi Arabia, France, Turkey, Israel, and more. They include McDonalds, Starbucks, Pepsi-Cola and Coca-Cola, the Louvre Abu Dhabi and New York University (NYU) Abu Dhabi; Emirates, Etihad, Qatar Airways, and Turkish Airlines; Ferrari World amusement park; the Newcastle United and Manchester City soccer teams; and the 2020 FIFA World Cup in Qatar.
To cap off the semester, students will develop an individual research paper that focuses on one business venture which reflects the interplay of soft power and nation branding.

This course is a study of modern Arabic literary forms in the context of the major political and social changes which shaped Arab history in the first half of the twentieth century. The aim of the course is to introduce students to key samples of modern Arabic literature which trace major social and political developments in Arab society. Each time the class will be offered with a focus on one of the literary genres which emerged or flourished in the twentieth century: the free verse poem, the prose-poem, drama, the novel, and the short story. We will study each of these emergent genres against the socio-political backdrop which informed it. All readings will be in English translations. The class will also draw attention to the politics of translation as a reading and representational lens.

For almost six hundred years, the Ottomans ruled most of the Balkans and the Middle East. From their bases in Anatolia, Ottoman armies advanced into the Balkans, Syria, Egypt, and Iraq, constantly challenging the borders of neighboring European and Islamicate empires. By the end of the seventeenth century, Constantinople, Jerusalem, Cairo, Baghdad, Sarajevo, Budapest, and nearly Vienna came under Ottoman rule. As the empire expanded into Europe and the Middle East, the balance of imperial power shifted from warriors to converts, concubines, and intellectuals. This course examines the expansion of the Ottoman sultanate from a local principality into a sprawling empire with a sophisticated bureaucracy; it also investigates the social, cultural, and intellectual developments that accompanied the long arc of the empire's rise and fall. By the end of the course, students will be able to identify and discuss major currents of change in the Ottoman Empire and the Middle East. The student will have a better understanding of the roles of power, ideology, diplomacy, and gender in the construction of empire and a refined appreciation for diverse techniques of historical analysis.

"Jewish woman, who knows your life? In darkness you have come, in darkness do you go." J. L. Gordon (1890). This course will bring into the light the long tradition of women as readers, writers, and subjects in Jewish literature. All texts will be in translation from Yiddish and Hebrew, or in English. Through a variety of genres -- devotional literature, memoir, fiction, and poetry -- we will study women's roles and selves, the relations of women and men, and the interaction between Jewish texts and women's lives. The legacy of women in Yiddish devotional literature will serve as background for our reading of modern Jewish fiction and poetry from the past century. The course is divided into five segments. The first presents a case study of the Matriarchs Rachel and Leah, as they are portrayed in the Hebrew Bible, in rabbinic commentary, in pre-modern prayers, and in modern poems. We then examine a modern novel that recasts the story of Dinah, Leah's daughter. Next we turn to the seventeenth century Glikl of Hamel, the first Jewish woman memoirist. The third segment focuses on devotional literature for and by women. In the fourth segment, we read modern women poets in Yiddish, Hebrew, and English. The course concludes with a fifth segment on fiction written by women in Yiddish, Hebrew, and English.

The aim of this course is to explore what the Bible means, and why it means such different things to different people. Why do people find different kinds of meaning in the Bible. Who is right in the struggle over its meaning, and how does one go about deciphering that meaning in the first place? Focusing on the book of Genesis, this seminar seeks to help students answer these questions by introducing some of the many ways in which the Bible has been read over the ages. exploring its meaning as understood by ancient Jews and Christians, modern secular scholars, contemporary fiction writers, feminist activists, philosophers and other kinds of interpreter.

Survey of expressions of Jewish mysticism from Hebrew Scripture through the 21st century. Topics include rabbinic concerns about mystical speculation, the ascent through the celestial chambers -heikhalot-, the Book of Creation, the relationship of Jewish philosophy and mysticism, techniques of letter permutation, schematization of the Divine Body, the prominence of gender and sexuality in kabalistic thought, the relationship of kabbalah to the practice of the commandments, Zohar, Lurianic kabbalah, Hasidism, New-Age Jewish spirituality and the resurgence of Jewish mysticism in the 20th century. All readings will be in English translation.

This course is designed to introduce students to the rich art of Modern Hebrew and Israeli literature and film. Poetry, short stories, and novel excerpts are taught in translation. The course studies Israeli cinema alongside literature, examining the various facets of this culture that is made of national aspirations and individual passions. The class is meant for all: no previous knowledge of history or the language is required. The topic changes each time the course is offered. Topics include: giants of Israeli literature; the image of the city; childhood; the marginalized voices of Israel; the Holocaust from an Israeli perspective; and fantasy, dreams & madness.

Since the early medieval period, Jews have been known as "the People of the Book". Yet the books they produced and consumed changed drastically over time and place, spanning a variety of known genres and inventing new ones. These works, in turn, shaped the texts, ideas, and lives of Jews and others for millennia, spawned vast commentary traditions, and inspired new works. This course engages prominent Jewish texts, such as the Hebrew Bible, Rabbinic Literature, the works of major medieval philosophers, pre-modern intellectuals, and modern authors, situating them in their literary, cultural, and social contexts, and examining their later reception.