Specific topics will vary from year to year.

The course will examine the archaeology of Ancient Nubia from Pre-history through the Bronze and Iron Ages, ca. 5000 BCE to 300 AD. The course will focus on the various Nubian cultures of the Middle Nile, and social and cultural development, along with a detailed examination of the major archaeological sites and central issues of Nubian archaeology.

Students in this course will be exposed to the broad spectrum of digital approaches in archaeology with an emphasis on fieldwork, through a survey of current literature and applied learning opportunities that focus on African American mortuary landscapes of greater Philadelphia. As an Academically Based Community Service (ABCS) course, we will work with stakeholders from cemetery companies, historic preservation advocacy groups, and members of the African Methodist Episcopal Church to collect data from three field sites. We will then use these data to reconstruct the original plans, untangle site taphonomy, and assess our results for each site. Our results will be examined within the broader constellation of threatened and lost African American burial grounds and our interpretations will be shared with community stakeholders using digital storytelling techniques. This course can count toward the minor in Digital Humanities, minor in Archaeological Science and the Graduate Certificate in Archaeological Science.

By focusing on the scientific analysis of inorganic archaeological materials, this course will explore processes of creation in the past. Class will take place in the Center for the Analysis of Archaeological Materials (CAAM) and will be team taught in three modules: analysis of lithics, analysis of ceramics and analysis of metals. Each module will combine laboratory and classroom exercises to give students hands-on experience with archaeological materials. We will examine how the transformation of materials into objects provides key information about past human behaviors and the socio-economic contexts of production, distribution, exchange and use. Discussion topics will include invention and adoption of new technologies, change and innovation, use of fire, and craft specialization.

This class examines our enduring fascination with ruins coupled with our commitments to reconstruction from theoretical, ethical, socio-political and practical perspectives. This includes analyzing international conventions and principles, to the work of heritage agencies and NGOs, to the implications for specific local communities and development trajectories. We will explore global case studies featuring archaeological and monumental sites with an attention to context and communities, as well as the construction of expertise and implications of international intervention. Issues of conservation from the material to the digital will also be examined. Throughout the course we will be asking what a future in ruins holds for a variety of fields and disciplines, as well as those who have most to win or lose in the preservation of the past.

This course will introduce students to classical Islamic law, the all-embracing sacred law of Islam. Among the world's various legal systems, Islamic law may be the most widely misunderstood and even misrepresented; certainly, misconceptions about it abound. Islamic law is, however, the amazing product of a rich, fascinating and diverse cultural and intellectual tradition. Most of the readings in this course will be taken from primary sources in translation. Areas covered will include criminal law, family law, law in the Quran, gender and sexuality, the modern application of Islamic law, Islamic government and other selected topics.

The course surveys major trends in global Sephardi cultures. We will begin by exploring the origins of Sephardi culture, and especially the significance of exile within it, through medieval Hebrew poetry from the “Golden Age” of Jewish culture in Spain (8th-15th centuries) and subsequent responses to the expulsion of Jews in 1492. We will follow those exiles to new homes in the Ottoman Empire, from the period of early settlement in the 16th century to 19th- and 20th-century Ladino literature, which thrived in locations far afield from its Spanish roots, printed and disseminated in Turkey, Greece, Egypt, Austria, and the United States. We conclude with narratives of migration in the second half of the 20th century and contemporary Sephardi cinema, literature, and music from America, Turkey, and Israel, focusing on the impact of the Holocaust and the mass emigration of Jews from former Ottoman lands.
Students will become acquainted with Sephardi history through literary texts translated from Ladino, Hebrew, German, French, Spanish, and Portuguese. These primary sources will be complemented by relevant scholarship in Jewish studies and European, Middle Eastern, and American history. We will study prominent writers such as Elias Canetti and Emma Lazarus alongside lesser-known writers such as Moses Almosnino, Grace Aguilar, Elia Carmona, Vitalis Danon, and Clarisse Nicoïdski.

The objective of this course is to develop an artistic appreciation for literature through in-depth class discussions and text analysis. Readings are comprised of Israeli poetry and short stories. Students examine how literary language expresses psychological and cultural realms. The course covers topics such as: the short story reinvented, literature and identity, and others. This course is conducted in Hebrew and all readings are in Hebrew. Grading is based primarily on participation and students' literary understanding.

The Arabian Nights (more accurately known as The Thousand and One Nights) is a collection of stories that circulated in the medieval Islamic world and would later become a canonical classic of world literature thanks to various stages of addition, translation, and creative retelling. It is a heady agglomeration of tales written with a distinctive frame story and form about characters and deeds that have been considered in turn memorable, hilarious, disgusting, arousing, thrilling, repugnant, and inspirational by various audiences since its beginning—and possibly even before it ever existed.
In this course, we will read almost the entirety of the 14th century collection of tales that constitute the earliest existing version of The Thousand and One Nights and analyze it both in relation to the medieval genres and historical contexts that shaped it and through contemporary theoretical frameworks. The Thousand and One Nights is a fluid and changing collection, so it is not our goal to focus on some clearly-defined “original”. We will instead discuss this collections’ origins, famous later additions such as the stories of Aladdin and Sindbad, and the role that its reception and translation in Europe played in making it a key text of world literature. We will also study some of its many later adaptations in film, poetry, and narrative. By analyzing key components of the text such as the frame story, fantasy, romance, and representations of race and gender, and by considering the aesthetics and politics of literary engagement with The Thousand and One Nights in modern contexts, we will come to appreciate the stories’ many travels across time and genres and develop our own ideas on what The Thousand and One Nights can teach us about the enduring power of storytelling. This course is taught in English, including all readings.

A survey of the modern Middle East with special emphasis on the experiences of ordinary men and women as articulated in biographies, novels, and regional case studies. Issues covered include the collapse of empires and the rise of a new state system following WWI, and the roots and consequences of the Palestinian-Israeli conflict, the Iranian revolution and the U.S.-Iraq War. Themes include: the colonial encounter with Europe and the emergence of nationalist movements, the relationship between state and society, economic development and international relations, and religion and cultural identity.